Monday, June 2, 2014

Kralyaar.

Rainawari Chowk always seemed a little queer to me. Being part of the old city downtown, where more or less the narrow alleys can confuse one- such is the similarity, Rainawari stands out. May be it has to do with the large ancient Mulberry tree that so distinctly sets it apart or may be its the Hospital, which used to be colored in red in old times; times from which I carry its memories.  

 

I parked my car near the Hospital- for want of space partly, and partly because I wanted to take a walk through the whole area: cross paths along those metallic roads, that may have been macadamized in many layers, since those early summer mornings, when my friend must have ran to catch the school bus; school bag jostling left and right. I had the address - Kralyaar, Dr. Kachru. I looked around and chose to ask an elderly person. He must have been in his early 70s, carrying an aluminum jar, a very downtown thing, filled with yoghurt from the local 'Goor' -- its thick white cream shining under the sun. This gentleman very politely directed me towards Kralyaar. ' Take first left, walk all the way down, in the corner alley the Kachru's lived. Thinking loud while walking, I was aware many things must have changed since my friend lived here.

 

The old man was right, the corner alley was there. But how was I to find the house? At around 11 in the morning not many people venture outside. The summer sun was unrelentingly beating down. It was hot by Kashmiri standards. I kept looking through the houses, trying to guess which one is it. A white Koshur skull cap wearing man with thick mustaches came out from one of the houses. 'That one belongs to Dr. Mantoo' , pointing with his finger, the thumb carrying the bead thread.

 

A shimmering marble plate near the main Iron gate, freshly painted in rust red, read 'Mir House': the current owners. I reluctantly pushed the gate. The activity inside the compound was hurried and brisk. Open empty boxes, visibly meant to carry fruit, had filled the small garden facing the Kachru house. Is this a fruit traders house now, I wondered! Manzoor -- the owner of the house firmly shook my hand. What can I do for you? I explained. He asked few questions again, well meaning questions. Perhaps he was taken aback by what I told him. I was a friend of Dr Kachru's family who has come to take pictures of Kralyaar and their house.


Memories warm you up from the inside. But they also tear you apart, Murakami writes in Kafka on the Shore. Still taking pictures, Manzoor explained to me that the two houses in ruins still belong to Kachru's. 'They have not sold them yet. Their ancestors lived in them’. Built in slender Maharaji bricks with intricate wood work on window panes, the structures  looked in wretched state. Years of dust had piled on them, perhaps, muzzling the many echoes from far off years. Time didn't stand still here. It had taken its toll. "It may cause the family more anguish looking at the state of the house." Little bemused, I asked Manzoor what makes him think so?

"See their's was an educated family. Well read. We are merchants who deal with dry fruits. The state of the house gives you a good indication." Manzoor spoke with utmost earnest.  In this land of Sufis and Reshis everything may not be transparent, but there is no place to hide a dark heart. On a balmy June day, it felt good to be in this compound. 

 

Manzoor was kind enough to escort me till the main road. Largely overwhelmed, he confessed though he wasn’t very educated yet appreciated the effort I was taking. We again warmly shook hands and bid good-byes. 

 

My tryst with Kralyaar wasn’t over yet. The air may have been humid, the streets largely forlorn, but persisting thoughts of my friend and his family gave color to everything around. 


The roads were hard, wind came at my back. We think we have a memory, but in truth, it has us.

 

One of the many well known and frequently spoken structures in the old city is the Vishwa Bharti school. A visit to Rainawari was incomplete without it. Clicking pictures all around the locality, a bakers shop caught my lens. It was placed in an narrow alley with smoke emanating out through the chimney at top. It had a very nostalgic feel to it. A mad-man passed along, incessantly talking to himself- pointing to the sky, where few crows had gathered, breaking the mid day lull. 

 

While standing at the entrance of Kralyaar, walking back to my car, many thoughts pulled me in different directions.


I write these words now, many lands distant from the spot at which, those hearts that throbbed so gaily then, must have ceased to beat; in many occasions in a land unknown to them;

many of the eyes that shone so brightly then, must have ceased to glow;

the hands grown cold; the eyes old, must have hid

their remnants in the grave; and yet the old house, the room, the merry

voices and smiling faces, the jest, trivial

circumstances connected with those happy meetings, crowding upon my mind.

 

Some sights caught through the corner of one's eye can win us back to the delusions of our childish days; that can transfer a over worked adult to his paper boats in rains; that can transport the sailor and the traveler, thousands of miles away, back to his own firepot and his quiet home!”


Everybody needs his memories. They keep the wolf of insignificance from the door.

Tuesday, May 20, 2014

Heart flames.


There are a million tears in my heart. Waiting....

Its been a year
since you spoke those three words,
first time to my heart
from yours..

Tears of joy had dashed down my face, that night.
O night! what it was! They will know never.
They who tell us whom to love, whom to shut our hearts from.
Will they ever know, heart plays its own melody. Oblivious of the edicts
scribbled into us: ten commandments and a many million morals.

A fairy tale it seemed then
a torment in my heart now
If you could look into my eyes
the tears that rolled that night
still behold you in their tiny
transparent visage.And they will always.
Tears have a way. Their own way. Like hearts.



I don't mind if the entire world turns away its face from me. Forever.
But not you, Lara. Why did you turn away from me- leaving me in despair, in longness for you, searching in the pitch darkness of my heart, a smile of yours. Like a weathered flower, I'm broken into million rustles, crushed every day by the weight of its own burden. I wish, I could tell you, how lonely I am. How cold and harsh it is without you.

No flower blooms without you, no wind carries an incense without you,  the mulberry are forlorn in my garden, I'm in the winter of my heart, and it's white, it's snow-white.

The wounds that never heal can only be mourned alone.

Tuesday, April 8, 2014

While driving back this evening.

You're driving back home from the gym; tired and sweating. The petrol meter is on its last slab. The drudgery of the day and an over-enthused trainer who pushed you, had drawn every ounce of your energy. You want to be home. Waiting to stretch your legs wide in the comfort. But here, there is a request for a song on FM. Some pestiferous bloke confabulating recklessly, perhaps over-awed by the supersensuous voice of the RJ. A sultry voice has no kin-ship to a pretty face. Don't let the voice fool you folks.

Anyway, the high on excitement guy requests for a song from movie Rockstar. Any song from it he adds. And you immediately wish for your song. Yes, your song [Here]. A song that plays an opera in your heart. Of memories and pangs. Of nights and days you lived and died one winter, till that summer came and you lied on a bed with a tear drop and desolate kisses.

Happiness lies in such moments. Strange are its ways and stranger its forms.

Friday, March 28, 2014

Magnolia of hearts



Magnolia sprigs in Pahalgam Kashmir.



If you should ask me where I've been
on all those days and nights when you missed me.

When you would cuddle under a blanket, on a lonely wet wintry night 
I was in its warmth..hugging you

When you lied on a porch facing your garden, 
on a mild summer evening
you were drowned in pain and sombre
the pangs ran deep and sorrow
I was listening to your heart...

When you walked a step and held back
looking for me in your drowsy eyes
In the late afternoon air that was  hot and sticky 
I held your hand and we walked a mile..

When people joyous in mirth laughed and sang
I played in the doleful of your quietness
Of your absence and my presence
I was your melancholy
I am your gloom.

When rain quenched the thirst of a withered earth
and the window of your room flanked in gusts of wind
I settled in your hand in a droplet of rain
just when you tried grasping some
I am your drought
I am your storm.

When you dressed up primp in the polka dot dress 
embellished and dandy
you smelled nice and stood firm
I was your mirror that you looked straight into
You are gorgeous- I told you so.

Sunday, March 9, 2014

Sahir Ludhianvi- Main Pal Do Pal Ka Shayir Hon



Na main tumse koyee umeed rakhoon dil nawazee ki
Na tum meri taraf dekho galat-andaz nazron mein
Na zahir ho tumharei kashmkash ka raaz nazron se
Na mere dil ki dhadkan ladkhadaye meri baatoon mein

Tarruf rog ho jaye toh usko bhulna behtar
Talluk bojh ban jaye toh usko todna achchha
Woh afsana jise anjam tak lana naa ho mumkin
Usey ek khubsurat mod dekar chhodna achchha
Chalo ik bar phir se ajnabi ban jaye hum do

-------------------------

Tum Mujhe Bhool Bhi Jaao To Yeh Haq Hai Tumko
Meri Baat Aur Hai Maine To Mohabbat Ki Hai
Mere Dil Ki Mere Jazbaat Ki Keemat Kya Hai?
Uljhe Uljhe Se Khayalaat Ki Keemat Kya Hai?
Maine Kyon Pyar Kiya, tumne na Kyon Pyaar Kiya?
In Pareshan Savalat Ki Keemat Kya Hai?
Tum Jo Yeh Bhi Na Bataao To Yeh Haq Hai Tumko
Meri Baat Aur Hain, Maine Toh Mohabbat Ki Hai.

-------------------------

Hoo bahoo kheinchega lekin, ishq ki tasveer kaun?

Uth gaya nawak fagan, marega dil par teer kaun?

--------------------------

Umr ka rishta jodney wale

Apni nazar mein deewane hain

----------------------------

Aurat ne janam diya mardon ko, mardon ne use baazaar diya
Jab ji chaahaa kuchalaa masalaa, jab ji chaahaa dutkaar diya

Tulati hai kahin dinaaron mein, bikati hai kahin baazaaron mein
Nangi nachavaai jaati hai, ayyaashon ke darabaaron mein
          Ye woh beizzat chiz hai jo, bant jaati hai izzatadaaron mein.......
Jin hothon ne inko pyaar kiyaa, un hothon kaa vyaapaar kiya
Jis kokh mein inakaa jism dhalaa, us kokh kaa kaarobaar kiya
Jis tan se uggey kopal ban kar, us tann ko zalil-o-khwaar kiya..
Sansaar ki har ek besharmi, gurbat ki god mein palati hai
Chakalon mein hi aa ke rukati hai, faakon mein jo raah nikalati hai

Mardon ki havas hai jo aksar, aurat ke paap mein dhalati hai

--------------------------

Suna Hai Har Javaan Patthar Ke Dil Mein Aag Hoti Hai 
Magar Jab Tak Na Chhedo, Sharm Ke Parde Mein Soti Hai 
Ye Socha Hai Ki Dil Ki Baat Usske Roobaroo Keh De 
Nateeja Kuch Bhi Nikale Aaj Apni Aarazu Keh De 
Har Ek Bejaan Taqalluf Se Bagaavat Ka Iraada Hai 
Kisi Patthar Ki Muurat Se Mohabbat Ka Irada Hai

Parashtish Ki Tamana Hain, Ibaadat Ka Iraada Hai.

-----------------------------

Main Pal Do Pal Ka Shaayar Hon, Pal Do Pal Meri Kahaani Hai
 Pal Do Pal Meri Hasti Hai, Pal Do Pal Meri Jawaani Hai.

-----------------------------

Kisliye jite hain hum, kis ke liye jeete hain?
Baarha aise sawaalat pe rona aaya 
Kaun rota hai kisi aur ki khaatir aye dost?
Sabko apni hi kissi baat pe rona aaya

Kabhi khud pe kabhi halat pe rona aaya 
baat nikli toh har ek baat pe rona aaya

Saturday, March 1, 2014

Highway.




'Overwhelmed' was my state when curtains came down on Imtiyaz Ali's latest flick 'Highway'. A story that is seemingly not easy as a parody on the screen; writing a script is one thing, turning it into cinema is something different. Imtiyaz Ali did both: brilliantly. 

Essentially, about a rich girl and a poor guy with paradoxically different upbringing, yet similar in what they feel about things around them. Traumatized, fearful and up for grabs. A personality that remains ambiguous, clouded and vulnerable. An unflinching urge to break free; from all norms; from orderliness; from customs; from everything that we call a system. 

The movie at many levels fringes on sufi mysticism. Of following your heart, in which your redemption lies. When Veera is abducted by Bhatti- there is sufi folk song playing in the background- 'Go away run, he is your beloved. Redeem yourself.' [Here] Technically I found the movie top notch. With long pauses, the viewer is made to seep into the scene, to make an effort to travel into the hazy world of two molested souls. And, of course, the icing on the cake were last few scenes shot in Kashmir. Crisp Lidder air seemed to be healing- two souls in the story, and one drowned in his seat- overwhelmed.

Monday, February 10, 2014

When horses tripped on my mind.

A horde of galloping horses, this is what my brain seems to be sheltering right now. I've a book in my lap, while my legs are stretched over this poor coffee table, whose glass may give a cracking noise any day soon, such is the misery my legs put it to, every evening. 

While I fiddle with every paragraph of Unaccustomed Earth, of this story of Ruma  and her old Bengali father- who seems to have found love in old age while traveling in Italy, my mind wanders to Sahir Ludhianvi's unfinished documentary that I left paused on one of the many browser tabs. I'm imagining how the commentator in the documentary, who in the few minutes before I paused the video looked fairly boring, must be stirring up Sahir's affair with Amrita Pritam, a writer herself, and whose unrequited love for Sahir resulted in many tempestuous poems. While the love story of the two writers is winding up its way over me, like clouds hover those mountains in Lidder Valley after a bright sunny morning, I veer towards a write-up I'd read sometime back. 

In fact, a series of write-ups from the 'Marxist of Safa Kadal'- I just loved that story- perhaps anything and everything remotely related to Marxism gives me unexplainable joy- to today's more 60s story, 'The Saga of Aziz'. The writer of these stories is a Kashmiri doctor based in Dublin. The beauty about his writing and perhaps why it appeals to me more, lies in his huge Srinagar downtown overtone. Without blazing any sloganeering, the writer solely concentrates on subtlety of every day events. Having grown up in its alleys and labyrinths that entwine story at every nook and intersection, where long lazy wintry afternoons were spent on the pyaend, turning a discourse from polity to Pakistan's new tearaway fast bowler in a matter of flipping seconds, I , at times wish to write a memoir for Srinagar. The ancient city has seen so much over its history, plagued with conflicts that a deep sad melancholy has hemorrhaged deep into its many abandoned homes, homes that were filled with warmth once, like my own- but now left by families who have shifted to more prosperous parts of the city, while some left on that cold January '90 morning never to return again. The stories are restless, fidgety, a bundle of nerves. Srinagar deserves a glowing tribute like Orhan Pamuk gave to Istanbul. Some day!

Horses I had told you.